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Kyle Bruckmann - Ratchetforms

from sfSound: collected works | collective work by sfSound

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about

All of my notated works are conceived with an improviser’s mindset, and with specific improvisers in mind. This involves not just framing improvisation with composed material, but also composing materials and initiating processes that are willfully eccentric, requiring resourcefulness, spontaneity, and often a healthy dose of slapstick in their execution.

Oboist and composer/performer Kyle Bruckmann’s work extends from a Western classical foundation into gray areas encompassing free jazz, electronic music and post-punk rock. In addition to sfSound, he is a member of the San Francisco Contemporary Music Players, Eco Ensemble, Splinter Reeds, Quinteto Latino, and the Stockton Symphony, and Lecturer at UCSC. He has worked with the San Francisco Symphony and most of the area’s regional orchestras while remaining active within an international community of improvisers and sound artists, appearing on more than 60 recordings of various genres. From 1996 to 2003, he was a fixture in Chicago’s experimental music underground; long-term affiliations include the electro-acoustic duo EKG, the art-punk monstrosity Lozenge, and the Creative Music quintet Wrack. Bruckmann earned undergraduate degrees in music and psychology at Rice University, and completed his Masters degree in 1996 at the University of Michigan, Ann Arbor.

credits

from sfSound: collected works | collective work, released January 1, 2016
Kyle Bruckmann, oboe and English horn
Monica Scott, cello

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sfSound San Francisco, California

the latest music of the European Avant-Garde to the grittiest sounds of the West Coast Improv-Underground, encompassing iconic and recent trends in instrumental technique, music theater, acousmatic, and electronic sound.

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